20070610
20070530
Assignment 7
This is my final scheme for studio. There are, of course, a few details not included, simply because of the time and difficulty of adding EVERYTHING into sketchup. I cleverly omitted the vector lines because A: They would have to be very dark to show up in this night perspective, and B: The chaos of lines defining the rooms below these pools would have created a real mess in the middle of my perspective, even if they were lightened up quite a bit. In this case it was just not appropriate to include them.
20070523
Tutorial Extra Credit
This was made using the liquify tool. Not particularly expert, but hey, I'm pretty happy with it as a first attempt. It took a while to figure out that I needed to leave the shell so you can tell it was a tortoise. Soo much fun. Why a tortoise and a chicken? Well...Why not?
http://photoshopcontest.com/tutorials/25/the-liquify-filter.html
http://photoshopcontest.com/tutorials/25/the-liquify-filter.html
Second Perspective
20070521
Perspective 1
20070513
20070509
20070429
20070428
Entourage
20070422
20070415
assignment 2
For Assignment 2, I used several very different approaches. The "central" model I organized around a coalescing space at one end of the model. I tried to create the "centrality" by arranging parts so that the eye of an observer inside is drawn to this central space. Circulation would naturally be drawn to this point, which has its own elevated view.
I organized the distributed model in a gridlike pattern, both the objects and the voids, attempting to maintain visual and spatial balance.
The hybrid space uses two large cubes at either end of the model to compress the space between. Then smaller cubes are arranged around this in-between space on both sides in different ways. One side uses small cubes with sides parallel to the ground plane and vertical axis, wrapped around the space. The other side uses rotated cubes with a stairlike effect leading to the space and less wrapping.
I organized the distributed model in a gridlike pattern, both the objects and the voids, attempting to maintain visual and spatial balance.
The hybrid space uses two large cubes at either end of the model to compress the space between. Then smaller cubes are arranged around this in-between space on both sides in different ways. One side uses small cubes with sides parallel to the ground plane and vertical axis, wrapped around the space. The other side uses rotated cubes with a stairlike effect leading to the space and less wrapping.
20070408
Subtractive Method
Additive Approach
The additive method, for me, yielded a much more interesting structure than the subtractive method. I think that my mind is just more adapted to creating spaces by wrapping boundaries around a void rather than cutting a void from a solid. I also had a easier time using Sketchup to draw my ideas when using the additive method. I think this structure's planes, levels, and definition of space are stronger than the subtractive model and more closely mimic an real, occupiable space.
Subscribe to:
Posts (Atom)